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Justification
   
 

HECTOR BABENCO is a director of national and international prestige, who's direct and deep way of seeing the world has given the public, unmatched movies.

This is the fourth movie where HECTOR BABENCO situates the plot within the walls of a prison. It was so in "Lucio Flavio, Passenger of Agony", "Pixote" and "Kiss of the Spider Woman". To reveal beyond the concrete and realistic implications, the symbology of the prison universe will be one of the main focus points of this documentary.

DRÁUZIO VARELLA, besides his recognized work on oncology and preventive medicine, succeeded in writing a humane and revealing book about the complex and polemical universe of the largest prison in the country, Carandiru. A book that opened wide the cracks of the secret universe of jails.

CARANDIRU, Detention Center, a place of cruelty, of human remains, of violence, of exception ? A secret and forbidden place, but strangely so close to us all? To plunge into the movie will mean to know life and death within those walls. To understand the silence and the screams behind gates so well shut.

Besides the credibility and excellence of the names involved and the importance of the theme, justification for this project is based, above all, on the opportunity to reflect on the reality of prison life.

 
The documentary and fiction
 

We all know that the documentary has as a characteristic to be sensitive to the transformation of facts (the reality): to see things and people, with clean eyes, without retreat or redemption. And that fiction is built and determines its rules through the obsessive compulsion of the director in determining the destiny of facts and characters, adhering to the evolution of what he films.

Today contemporary movies has appropiated of what is a documentary and what is fiction, using elements from both languages, so as to emphasize and turn sacred the images and sensations of reality.

The opportunity of making this documentary about Carandiru, as it is about to end and while a fiction film is made about it , surely, will reveal to the spectator a privileged view of how all these issues and conflicts interact in the construction of reality and the movie.